Take the works of a decorative glass worker, a sculptor, a photographer and two painters and combine them. The result? A truly multi-coloured, multi-dimensional collection of Japanese modern arts. Each one of these artists is impressive individually, but combining their strengths creates something quite remarkable. Museum Jan van der Togt, a modern visual arts museum in Amstelveen, is up for the challenge and will be showing the special art collection from 17 July until 31 August.
So who are those five renowned Japanese artists?
Tomoko Doi – Decorative glass worker
In her work, Doi experiments with different techniques and materials, including silk-screening on glass. The glass objects evoke a fairytale atmosphere with a clear Japanese character.
Yuina Wada – Painter
The young artist Wada paints brightly coloured compositions with influences from the Japanese manga and anime drawing style as you can see in the article header. In addition, she takes inspiration from the Japanese Harajuku fashion, known for its girls wearing distinct, bright colours, who are almost a tourist attraction in Tokyo.
Yoshiaki Ishikawa – Photographer
Ishikawa uses a complex technique that combines photography and painting. He takes digital photographs of nature, which he then copies in paint. Combining these two images creates a whole new image: a reflection of his own vision of the world.
Ayako Rokkaku – Painter
Rokkaku applies coloured acrylic paint with her hands and fingers to cardboard or canvas, creating dynamic, cheerful paintings. A very recognizable element in her work is the recurring image of a young girl with big eyes.
Takashi Murakami – Sculptor
Murakami's work, ranging from paintings to balloons and giant stuffed animals, is characterized by flowers and bright colours, as well as traditional Japanese characters. His work has received international recognition and Murakami started his own postmodernist art movement, ‘super flat’.
Would you like to see this unique collection of objects together in one exhibition? Then head over the Museum Jan van der Togt and see for yourself the striking contemporary Japanese art of these five versatile artists from 17 July until 31 August. Keep an eye on their Facebook page for more information on the exhibition.
Catalogue Raisonné of Canvas and Panel Paintings, 1946–1994
Edited by Debra Burchett-Lere with featured essay by William C. Agee
This innovative and long-awaited catalogue raisonné brings together, for the first time, all the known paintings on canvas and panel of California-born abstract expressionist Sam Francis (1923–1994) and offers a comprehensive chronicle of his artistic journey. One of the twentieth century’s leading interpreters of light and color, Francis maintained studios not only in New York and Los Angeles, but also in Paris, Bern, and Tokyo, making his reach truly international.
Elegantly boxed, the Sam Francis catalogue raisonné includes a richly illustrated book with informative texts and two DVDs with authoritative entries for the canvas and panel paintings in an easily browsable, groundbreaking format. It offers the ultimate reference on this artist and a vital research tool.
Color images and documentation for all 1,850-plus paintings on canvas and panel by Francis (hundreds reproduced for the first time) on two DVDs
A lavish book with an extended essay by Francis scholar William C. Agee and a biographical timeline by catalogue raisonné editor Debra Burchett-Lere
Rare footage of Francis at work, writings by the artist, and descriptions of his studios and techniques
Access to electronic updates as they become available
Easily searchable information in a groundbreaking, twentieth-first-century format
Debra Burchett-Lere is Director and Curator of the Sam Francis Foundation. William Agee, Evelyn Kranes Kossak Professor of Art History at Hunter College, City University of New York, is coauthor of Coming of Age: American Art, 1850s to 1950s, author of Sam Francis: Paintings 1947-1990, and contributor to many books, including Patrick Henry Bruce, American Modernist: A Catalogue Raisonné.
Abstract Expressionist Sam Francis will be the focus of a month-long selling exhibition at Sotheby’s New York this autumn. More than 40 works, all available for private sale, will be included in the exhibition Sam Francis: The Exploration of Color from 17 September through 14 October 2011. This marks the first exhibition on view in S2, a newly-constructed gallery space within our York Avenue headquarters dedicated to hosting private selling exhibitions.
“We conceived of S2 in response to frequent requests from our clients to see works at Sotheby’s for private sale as well as for auction” said Alex Rotter, Head of Sotheby’s Contemporary Art department in New York. “Designed by Richard Gluckman, S2 can show works of art ranging from large-scale installations to more intimate objects, and will offer a new and exciting dimension to the Sotheby’s experience that will help us to meet this growing demand. Richard Gluckman has created celebrated spaces for the Whitney Museum of American Art and the Philadelphia Museum of Art, in addition to Sotheby’s own 10th floor galleries, and we look forward to introducing this wonderful new space to our clients and to the general public.”
The exhibition celebrates the launch of the Sam Francis Catalogue Raisonné of Canvas and Panel Paintings, 1946-94, edited by Debra Burchett-Lere, Director of the Sam Francis Foundation, and published with University of California Press. Robert Buck, former Director of the Brooklyn Museum and the Albright-Knox Art Gallery, enthused, “The publication will become the standard reference on Francis’s work. There are no more complete efforts than this one that tackles and describes the whole career.”
The exhibition Sam Francis: The Exploration of Color brings together a diverse selection of paintings on canvas and paper that trace the artist’s career from the 1940s to the 1990s. As Debra Burchett-Lere’s essay in Sotheby’s exhibition catalogue discusses: Francis found his calling as an artist in his 20s while hospitalized with spinal tuberculosis, using art as an escape during his multi-year encasement in a plaster cast. His career was propelled to critical acclaim in the 1950s, after moving to Paris and being embraced by the important art historians and curators of the day. His interests in architecture, literature, philosophy, poetry, politics, music, nature and science are all reflected in his works, from the smallest 3x2-inch paintings to monumentally scaled murals more than 100 times as large. While his painterly, expressionistic world appears uncalculated in its freeform presentation, Francis was guided by his intelligence, masterly control of the brush, and gut-felt intuition in capturing the beauty of human emotion.